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while the gold canvases—with their stains
It contextualized Whitney’s practice in relation to both his artistic community and his influences—from the history of art and architecture to quilting
tradition and radical innovation
an essay by film historian Peter Wollen
and black of the artist’s second wife and muse
Susan Rothenberg: The Horse Paintings: 1974–1980 Work on paper while the gold canvases—with theirThis book was published on the occasion of the exhibition Susan Rothenberg: The Horse Paintings: 19741980 at Gagosians former gallery on West 23rd Street in New York. Silhouettes of horses painted in profile are Rothenbergs most famous motif, a paring down of the animal to its most essential totemic form. Painted in gestural brushstrokes of acrylic, tempera, and Flashe, these expansive works fuse abstraction and representation, heralding a return to
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